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Keith Reddin
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Vol. 82
Works & Days
Spring 2024
Bradford Morrow

Online

June 26, 2024
Moments lately, I think I am on the brink of an epiphany, swept right to the threshold by, say, the pulp of a grape or the progress of a Beethoven sonata or some other spiritual force, and were I to cross over it, loosed into the light of that knowledge, it would also mean my days on earth are numbered, that I have understood all that is needed before this life meets its resolution. But each time I am held back, caught by the hem of my shirt, denied whatever I thought I might see, allowed it only in periphery.
 
June 19, 2024
I am sorry for not writing sooner. To be completely frank, I was afraid of receiving a response and knowing for certain that you’re finished with me. I am very troubled by the way we’ve left things.
 
June 12, 2024
It took place in London at the end of the seventeenth century—a man was spending the evening at home, often thinking of a friend of his, a woman, who was very ill, worrying about her, hoping she would live, when there was a knock on the door, and she entered, looking fine, thriving, in fact, and sat down in a normal way and began a normal conversation, though she seemed a little more serious than usual until he began to cry, at which she continued quietly, discussing things of the soul, aspects of time, and he began to sob, and she continued speaking quietly, as he sobbed and sobbed, and when he finally looked up she was gone.