May 6, 2026

The Shadow War

Dan Beachy-Quick

I’ve been translating Homer’s Iliad for the past two & a half years, an hour of work as the sun rises. Those early hours feel miraculously anonymous, scribal, ancient. The idea came to me that I was quietly training myself as one of the Homeroi—those who memorize the epic to recite it to others. & so I thought I should not only translate the Iliad, but also risk singing it myself. The loose rule was to begin writing my own version only after I’d translated the actual, allowing memory to falter, permitting odd emphases, errors, & the entrance of my own experience—a faithfulness that strays to stay true.


 


A



      Wept into the sea. Accused of wrath
by ancient mouths countless times—which is true
but not honest. Ached &
ran naked through the camp at night the moonlight
glows on the skin as armor glows.
So swift no man could see me I ran like some god’s
holy stag, a blur of light in the dark, the dogs
raise up their heads only to lay them down on their paws
again. A feeling so motherless
ached its honest agony my mind pulsed with the pain.
Wept into waves. Wave after wave
said, Shh Shh Shh. Arms came near me
only to draw away again. I wept, a grown man,
a rage-machine, & called out



                                                          mother.



                    The River Anxious is one of the names
for the distant streams that weave together into Ocean.
The River Grief & The
River of Yesterday’s Summer are others. &
The River I’ll Show You What Mean Means whose waters,
dense as olive oil, run through the River Forgive
Me, though the waters never mix. & then
there is the river of a soldier’s long hair flowing out
behind him as he runs. Strange
thoughts weep on the edge
of the mind. The world comes together as
knowledge falls apart. Gull bright
in moonlight. Read the omen, you



                                                                      seers.



& when she comes she asks you to tell her all you know—
a goddess, who knows all there is to
know. That’s what a mother does—coaxes you
to talk to yourself until you learn to fall asleep
on your own. & when she comes, she calls you by the only name
you’ve ever known, Child. Sweet Techne. My Tech-
nology. What is
the knowledge a child holds? When what you love
is taken from you



                                      you love it all the more. Which
doesn’t feel exactly new, surprising as
it is each time it happens—a wave drawing back &
never returning. When in the night
you want a drink of water and the cup is full of
salt. Everything tastes like tears
when the sea is
your mother. A wound can be healed
by rubbing a balm on the blade that made it; &
so a palm can be wounded; & the
posset of wine & grain & crumbled cheese
separates
if you don’t stir it. Rehearse the truths
until they’re true, & then ask a god to



                                                                          intervene.



One way to suffer less is to make others suffer more.



        Mother, the
                            Mother, the



long hair flows out from the helmet as the soldier runs
forward into the dust his own feet have raised, &
I’ve seen it, I’ve
seen how the river-flag of countless threads
flows out
behind the head almost as if forever     past
the battle field & over the
Aegean, over the rocky islands where the dumb
goats graze on thin grass & time
is what—a broken tooth—as is youth—flowing
into heaven itself, obscuring
the stars until the knife blade of the curved moon
shears the split-ends, & there
they are, those new-shorn stars, sort of dull-shining—&
you can grab the



                                        Mother, the
                                                        Mother, the



end of a Greek man’s hair & wind & wind it
around your fist like     like
some storm-cloud gathering & getting closer     like
like the
words whisper similarities into your ear
                almost like a lover
until the back of the man’s head is against
the blade
                edge of your outer palm, & what
then



                do with this then? Weep
                                an hour & call it a sea? Or



                                                                          memorize
the tangled minutes of the teeth of the comb caught in a boy’s
                long hair? A



                                                                          god nods
off in the mountains & dreams the ocean somehow so warm
embraces his knees & asks a
question     will you love what I love as I love what
I love     the riddle is
                a lullaby     a vulture
looks at a rock like he knew it once long ago     a god
nods &
                already an arrow is
an eros-rose is
                                an error is an old sore
a god shoots an arrow around the world & catches it
in the hand that let go the string.     No time passes.
                The miracle-thing yawns
                                it shall be so. It shall be



so. The bright moon
on the flat ocean is a blank page     nothing
ends its blankness     nothing is blanker



                                           a name writ in water, water is



the epic is only a word. No one I know knows the word.
A boy cries his tears. The epic
says Memory, Memory—speak, speak
the
        heart-hurt long-hair-braid cicada-song—
sing the, sing the
        mother putting a pin in her hair,
cruel kings & their sun-dial machinations     you know



            Mother,
                            Mother,


rage has a plan

 


B


Hollowness exists but cannot
be used until the swift ship is built around it—.



Emptiness exists but cannot be
felt until a man is built around it—
            & some say heart & some say mind
            is the name     &
some say soul or or
            anger’s stutter or the dream thermals
            on which the vultures spiral &
            rise somewhere behind the sternum or the eyes—.



Nothing exists but
cannot be seen until the crow-beak curve of
            the prow cuts
            through Aegean foam—
library catalog of the mind on loan & the poet prays
            to Memory
            to remember the names & prays
Memory use my mouth
            to say the names:




much begatness. Like a little Leviticus but older than
babble. The baby’s saying mu mu
            becomes a mouth becomes a myth becomes
the little hollow where the spears &
            arrows are stored in the ship—.
            & the roses     or



the petals thereof—. You learn to pull apart what you love—



to prove you love—



what you love—.



A man’s mind turns as he turns the spit & the ox-thigh smoke
            pleases the gods & the meat
                        pleases the man, & a thought is
                        different than
            a plan. & a man can have many minds, too many—
& faith demands you change each or you suffer
            certainty—



which looks like



what—



a list of names, but feels like shame—



                                    SHATTERED-FOOT. GOD-KNOWING.
                                    THE-NEW-WAR. ACHE-MACHINE.
                                    MIDDLE-GOD. BATTLE-LOVE.
                                    BEFORE-THE-MIND. SHIELD-KILLER.
                                    WANDER-WONDER. RUMOR-MILL.
                                    FATHERS-GLORY. BATTLE-MAN.
                                    GOOD-TO-EAT. ENEMY-OF-MY-ENEMY.



There is to the soul a logic many have said so—
so deep no mind can fathom—
sinks as the sun sinks into the ocean but like the sun
never drowns in the water, the logic
is there in the morning, the logic of the morning—



                                    SHINING-UPON. BABY-KING.
                                    DAUGHTER-OF-SNOW. CHILD-OF-GOLD.


& some men try to game it school it reverse it
            lords of men, shepherds of epic
similes who are themselves fated to feel their lips     as if
their lips were their own     he-goat
nibbling pebbles to find the sparse grass     like
like my lord-of-men     who is
     an ill-gotten cloak who can hold a spear
            pretending his daughter was a doe on an altar
so may there be     might there be     a wind
            to fill a sail, breath enough     to fill
     a sail
                        is that what a daughter is     breath     filling a sail



                                    NEVER-BOWING. BORN-OF-STRENGTH.



you make your sacrifices & live with yourself     your you you are



the breath inside the letter a    the



wisdom of never saying I



a word the furies love & you speak
      your second-person     disguise



a trick that tricks no one     except the gods



who like to be tricked     because it gives them a reason



for revenge—. The debt



love is—. When love is



smoke’s savor.
               It’s a story everyone already knows—
redundant, so pure—
& the one who listens says, I’ve heard this one before—
      & stops listening—
which is when the story gets to work, weeping
     hours into the sea.



A Dream comes & calls you Tame. Accuses you
of sleeping. Tamer of horses you
sleep. You sleep, & so you see me. A Dream
who wants you to wake. &



the Dream begins the similes, litanies of likeness—



bees in bronze armor



& the wind bows down the wheat     obeisance to



the cloud gone rose gone bruise gone wound o no



it’s the full moon once again     vanity-mirror in the sky     never asking why



though that’s your gravestone etching     the word why



the epic of the word why      written in water
    in dirt & in
fire     the stone dulls the blade that carves it     as a word dulls
                      the mind



dark leather sandals on pale feet



               pale feet bright as the moon



the earth groans under the weight



the wheat the wind blows down shines brighter



the bright wheat bends down listening



               as is     as if



the earth whispers words you can hear



in the ears of wheat     & your ears



made of wheat     bread
tastes like home even when from home you’re far away
tears rhyme with spears &
the mind is only the wind with the first letter
     turned upside down
& so is the wind     the mind
    a tear in the spare thought     it could be
               otherwise
but it’s not     the Dream smiles but seldom the dreamer
      even in the sun’s antique light



               & in the air the scent of mint & thyme



                              a kind of     accusation     a fact-check



in the sun’s ancient light there is an altar
        even now there is     & a priest
staring into the light to define what he sees     a snake
        in the blindness     a hole
in an oak     sparrows     nestlings in the solar blank
what will be will be     wind     daughter     doe
        do what a snake does do
swallows whole the children while the mother weeps
        but her weeping is a tune—
music even the Muses don’t want to know     but do
                              know     the wind
never changes its mind     or seldom does
         the wind that says the rumor is     what is
rumor is the snake     is the snake ate the mother     too



& then the snake     somehow     turned into stone



such is     in this world     the story of how stones



became stones—



the word why carved into a stone     careful, traveler, stop—



don’t step here     here in the noon-time white none-ness of



of-ness     the genitive that says thou thou



begat one who begets another     (the father turns the page



with an antler



not a hand—



a simple turn of his head turns the page)



               careful, reader     you reader of



               poems—



a wasp wearing armor will sting you if you walk by uncaring



spare me a tear



weep me a spear



says the epic     wrath-lyric     no, nothing is so long ago



a bell rings inside a flame



the music came & the music moved through me



I didn’t know how to hide my face—



Inside a name. Or inside shame.



               The bees fly out from a hole in a rock



               & the beggar begs his coins



               the gold sun sometimes seems so much like a circle



               asking you what it is you want



               to buy



               you want to     I want to     buy



                              an old hour already used



                              some dust



                              a wall     a tower     the sun as a candle’s flame



                              & a hive heavy enough to bend down an ancient oak’s bough


 


Image credit: Attributed to the Painter of London E 55 (Manner of Douris), Rhyton (Drinking Vessel) in the Shape of a Donkey Head, 480-470 BC. Art Institute of Chicago.

Dan Beachy-Quick is an American poet, writer, and critic. He is the author of eight collections of poems, most recently, Variations on Dawn and Dusk (Omnidawn Publishing), longlisted for the 2019 National Book Award for Poetry. His other books include A Whaler’s Dictionary (Milkweed Editions), a collection of essays about Moby Dick. His honors include a Lannan Foundation Residency and a Guggenheim Fellowship.

(view contributions by Dan Beachy-Quick)