October 13, 2021

Five Poems

Emma De Lisle

Last Light in the Garden

The fruit is a skin fruit round to the round eye

Tits cut face green & wet cut slant in the low light its

thousand chambers crevassing & swelling out the quick

beading sour every sense bends to touch

the eye wants the sour glist the glister

seared to its clear curve the fruit a skin fruit round

& greening split the hold-rinded cells

there is no interior what is closed

is unborn till the pass of the knife what I know is what

I put my mouth to it blind

I am as I am now the sphere a sphere & nothing else

until it meets the driven nail the white rim

of the wrought finger bursting oil from the pores peeling

pith stem skin navel back back it puckers yields a new lucent

exterior spurting over the tensed knuckles & stinging where they

split if I could heal it if I could re-seam could seal the seeping shut

weep shut the seaming lids shearing open skinned

If I could put it back I wouldn’t


The One and the Many

We won’t hand it over. Our Alone Project.

We weep into its tender grasses, the kind

that clean out a tired ram’s spring gut, give him

a fighting chance. Lungworm, heartworm—

if you slit him open now you would see them

all huddled in there, in the coiled tubes

of his body. The offal. Steaming and glistening

in the sun, an occasional straggler dropping

from the broad nostrils. Forgive us. We were waiting

here, in the thickening ice. We worked a long time. Now

we try to give what we found, a little basket

hiding behind each back, full of the young shoots.

They are so green. Mercifully green. We say so. Yes,

they are alive, we say. We, too. We are still sick.

We are overrun. Our winter legs like reeds,

flickering over the cold marsh, over the wet fens—

until up through the snowmelt come the firstfruits,

the piercing early harvest. We eat it. We offer it,

and then eat it. God help us we don’t want it.


Self-Portrait as I’m Admitting It

I am ashamed to list what I love. Reducing all of it to an itch
in the mouth, in the groin, a screen the brain fans out with a
click. Crinkled, and covered in print daisies. Eyes blinking

above it in surprise. When we walk we keep them lowered,
kicking stones down the sidewalk to show God, see, we’re
thinking about something else, we didn’t even see you,

haven’t gotten any of your calls. Read your messages only
in the draw-down. We fall asleep, biting our tongues against
each other. Fingers already itching. The mind already building

itself a paddock, roving through the fenced night grasses. Pale.
Slight and pale, with large ears that you can see into. They
quiver. It has teeth, too. Tiny eyes, lashless, and a bald tail.

I wish I could love it. Wish I had some food to throw. It looks
so small and out of place when the light rakes over it. Even here,
in its own enclosure. This hill where it births its young, where

they nose each other gently and sleep hot and curled together
in their burrow. Weak in the weak light, and small.


AFTER THE FEAST

Dance with me so I don’t have to learn the folk dance with Seryei and instead

I can jostle the accordion player whose name we never learned his eyes closed

and his eight-toothed smile like a man standing on the dirt of the ever-after like

those bellows came up from the wet ground of his flesh just how he always  hoped

they would dance me to reassure the body of its years of its pains pinned to its

hair like flowers or strung yellow in a hammock its legs swinging over a dirt

yard scrambling through the salt marsh crunching broken shells standing under

the canopy tree in the Botanic Gardens late May branches getting heavy dance

the dance of when I was six and I met that tree when I was twelve and sat in it

thinking what kissing would be like in the backyard wrestling the tomato  vines

never pausing the proceedings to empty the earwig traps dance the way the sun bends

down with the earth nightly and on time reaching through the canopy-leaves brief but

warm the way everyone said it would and then later the way the blaze blinks out

and further down the coast one man bends close over a hot fire humming to himself

cooking himself a fish


Saturday

I got on my knees for you. It is the same, now, alone on the porch,
listening to the waxwings settling in the damp new grasses. Coming
back. Do we die even now? I’m asking. It is unfair to ask, I know,
but you could give it anyway: the question: trailing its wings wet
and new, spread wide, clinging to the lintel with its eyes shut. Its
young body quivering. I want to touch it. To see if it is warm. How

will you be with me, after? When it is over? The little thing. It is
afraid of me. It presses flat between the screen and the glass, refusing
both. After it leaves: what is there left to ask? Deep in the descent. Yes,
that one: the man, blind, stretching out both hands. And the woman.
Crouching at his side. She straightens up, pushes the hair out of her
face, laughing, saying: Brother. Brother, I knew you would come.

Emma De Lisle is a PhD candidate in religion at Harvard, where she studies sacramental art, poetry, and the eucharist. Her work has appeared in Colorado Review and Peripheries, among others. Currently, she lives and works in central Wyoming.

(view contributions by Emma De Lisle)