The Extraordinary Life and Historic Adventures of a Servant called LITTLE, Written and Drawn by Herself
Edward Carey
Pedalo
Dina Nayeri
Four Body Poems
Bin Ramke
Body Politic: A Tenso
Rachel Blau DuPlessis
Traditional Chinese Massage Number 1
Sallie Tisdale
Little Rooms
Stephen O’Connor
Beauty
Carole Maso
Skeleton, Rock, Shell
Sejal Shah
Notes on Lazarus
Rick Moody
Two Inclinations
Maud Casey
House of Virgins
Samantha Stiers
Ruth
Forrest Gander
Playing the Whip
Kristin Posehn
The Body of the Great Writer and the One Hundred Yiddish Writers Who Kept Watch
Nomi Eve
Dirty Old Town
Rosamond Purcell
Another Way the Universe Communicates Its Presence to Itself
Alan Rossi
Ten Body Stories
Aurelie Sheehan
My Uncle Dave Reads Spinoza as His Cookie Business Collapses Due to a Rise in the Price of Sugar in the Dominican Republic
Peter Orner
Left Hand Jane
Gregory Norman Bossert
Clytemnestra’s Body Polis Ticks
Anne Waldman
Slum Melody
Jorge Ángel Pérez and Translated by Rebecca Hanssens-Reed
System of Display
Jena Osman
Three Poems
Michael M. Weinstein
Dead Girls
Emily Geminder
An Impacted Fracture of the Distal Radius
Elizabeth Gaffney
Three Poems
Jessica Reed
The Flesh of Suddenness
Michael Ives
Runner’s Body
Kyoko Mori
Cover art by Christy Lee Rogers (christyleerogers.com), archival photographic pigment prints from the Reckless Unbound collection, 2012. Front cover: The Unending Journey. Copyright © Christy Lee Rogers 2017; all rights reserved by the artist.
If the body is a temple, it is one very complex, heterogeneous, mutable temple. We are conceived by bodies neither ours nor of our own choosing. We then are born, grow up, live our lives, and perish—all within the ever-changing context of our bodies’ encounters with the world. The writers and artists in Being Bodies address a wide range of what can happen to a body. A memoir of distance running counterpoints a meditation on resurrection. The story of an injury is juxtaposed by an uncommonly candid confession of a young man who struggles with gender identity and sexual preference. Virgins and those experienced in the ways of the flesh are here, as is a moving poem about a dying mother whose son must see to her final times. Venus is invoked; so are dead girls and the corpse of a venerated writer. In every contribution come fresh insights into what it means to inhabit, for a brief moment in time, our bodies. As readers turn
each page, perhaps a self-awareness of hands and eyes and individual memories of what their bodies have experienced may become more vivid than before, because reading and thinking are not only cerebral activities but physical as well.
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