| 85 / Anew
/ Spring 2026 | Brandon Hobson | The Delirious and True Tale of Mockingbird Pup and Little Flower |
| 85 / Anew
/ Spring 2026 | Katherine Cart | The Beauty Age |
| 85 / Anew
/ Spring 2026 | Julia Alvarez | Closing Down St. Stephen’s |
| 85 / Anew
/ Spring 2026 | John Ashbery | Purgatory |
| 85 / Anew
/ Spring 2026 | Sandra Cisneros | Two Poems |
| 85 / Anew
/ Spring 2026 | Marie Myung-Ok Lee | Fireflies |
| 85 / Anew
/ Spring 2026 | Clare Beams | A Pin for the Swallowing |
| 85 / Anew
/ Spring 2026 | Jonathan Carroll | Remember Beauty |
| 85 / Anew
/ Spring 2026 | Greg Hrbek | Dream Index |
| 85 / Anew
/ Spring 2026 | Jennifer Kane | Once Removed |
| 85 / Anew
/ Spring 2026 | Jonathan Lethem | Every Joke I Remember My Mother |
| 85 / Anew
/ Spring 2026 | Martina Botti | The Error |
| 85 / Anew
/ Spring 2026 | Edward Carey | Bird, Bath |
| 85 / Anew
/ Spring 2026 | Julia Elliott | The Infant |
| 85 / Anew
/ Spring 2026 | Shane McCrae | From: Last on Earth |
| 85 / Anew
/ Spring 2026 | Peter Orner | Five Midwest Stories |
| 85 / Anew
/ Spring 2026 | Rick Moody | Camp Wood |
| 85 / Anew
/ Spring 2026 | Michael Murphy | This Is Not Dalí’s House |
| 85 / Anew
/ Spring 2026 | Joyce Carol Oates | Strangle |
| 85 / Anew
/ Spring 2026 | Mark Irwin | Seven Poems |
| 85 / Anew
/ Spring 2026 | Stephen Graham Jones | Tonight, We Roll |
| 85 / Anew
/ Spring 2026 | Nathaniel Mackey | Two Poems |
| 85 / Anew
/ Spring 2026 | Lindsay Starck | Safekeeping |
| 85 / Anew
/ Spring 2026 | Angelo Mao | The New Style and Other Poems |
| 85 / Anew
/ Spring 2026 | Adam D. Jameson | Pica |
| 85 / Anew
/ Spring 2026 | Colin Channer | Three Poems |
| 85 / Anew
/ Spring 2026 | Ruby Hansen Murray | Poems from the Lower River |
| 85 / Anew
/ Spring 2026 | Rae Armantrout | Eight Poems |
| 85 / Anew
/ Spring 2026 | James Morrow | The Gospel According to Phinehas |
| 84 / We Love All We Voices / Spring 2025 | Arthur Sze | Lines of Sight, and Beyond: A Lecture at the Library of Congress |
| 84 / We Love All We Voices / Spring 2025 | Debbie Urbanski | ON THE CONSTRAINTS OF FICTION |
| 84 / We Love All We Voices / Spring 2025 | Nathaniel Mackey | The Birds as Decoding Society |
| 84 / We Love All We Voices / Spring 2025 | Alyssa Pelish | An Accordance |
| 84 / We Love All We Voices / Spring 2025 | Kim Chinquee | Americana Triptych |
| 84 / We Love All We Voices / Spring 2025 | Sylvia Legris | Sleep Gate |
| 84 / We Love All We Voices / Spring 2025 | Laura Kolbe | A Port to Speak Of |
| 84 / We Love All We Voices / Spring 2025 | John Yau | Six Pantoums |
| 84 / We Love All We Voices / Spring 2025 | Aimee Bender | Nights With Art Bell |
| 84 / We Love All We Voices / Spring 2025 | Rick Moody | Just Up the Block |
| 84 / We Love All We Voices / Spring 2025 | Katherine Cart | How Does a Dead Woman Yell? |
| 84 / We Love All We Voices / Spring 2025 | William H. Gass | Baroque Prose |
| 84 / We Love All We Voices / Spring 2025 | Marlon James | Caden and Jayden |
| 84 / We Love All We Voices / Spring 2025 | Marcia Douglas | Sistren Sound System [2 tracks] |
| 84 / We Love All We Voices / Spring 2025 | Lorna Goodison | An Adaptation of Dante’s Purgatorio, Canto 1 |
| 84 / We Love All We Voices / Spring 2025 | Kei Miller | The Logic of the Jab |
| 84 / We Love All We Voices / Spring 2025 | Tiphanie Yanique | Looking House |
| 84 / We Love All We Voices / Spring 2025 | Ishion Hutchinson | The Anababis of Godspeed |
| 84 / We Love All We Voices / Spring 2025 | Kwame Dawes | Thelma’s Precious Cargo |
| 84 / We Love All We Voices / Spring 2025 | Robert Antoni | Thirty-Six-Thousand-Nought-Hundreds-and-Thirty-Six |
| 84 / We Love All We Voices / Spring 2025 | Benjamin Hale | My Soul Frets in the Shadow of His Language |
